Mile Zero is the personal website of Thomas Wilburn. All statements and
opinions here are my own, and do not represent the views or policies of
my employers at Congressional Quarterly, Ars Technica, or other
publications.
Jay Rosen argues that Wikileaks
is a "stateless" news organization, by which he means "decentralized."
It's an interesting parallel to my own thinking on information-age
activism. Of any group in existence today, Wikileaks probably best
embodies what it would mean to do decentralized advocacy, for better or
worse.
I love scripting languages, and I especially love this
series on using JavaScript--highest of the high-level--to emulate
the original GameBoy. It's kind of an amazing learning tool, if you
think about it. Someone should do this for X86.
While it's true that b-boys
and b-girls love correcting people who call it breakdancing, I
actually think it's more depressing that most people think the dance is
entirely about acrobatics--flares, windmills, and backspins--to the
exclusion of toprock and footwork. That's not their fault, of course:
that's how the dance has been sold in mainstream culture since the
eighties. But check out this video by Zeshen of Havokoro, and consider
how much people are missing. He starts out with some pretty standard
stuff, and then about a minute in starts going off on impressive
combinations of strength, flexibility, and creative movement. It's one
of the coolest footwork displays I've seen.
Consider this
part of an infinite series titled "Innovative, Magical, and Stupid."
Long story short: an iPhone developer wants to make a service for doing
enhanced copy-paste functionality, but you're not allowed to do that on
the iPhone. So instead, they have to play music (or an .mp3 of silence)
the entire time that they're backgrounded in order to pass muster. They
refer to this "a very elegant solution," but let's call it what it
really is: an awkward hack required by a patronizing, artificial
requirement.
Finally, this Washington
Monthly story is a fascinating read on how Google Maps has touched
off a new generation of border disputes--especially interesting for the
crisis-mapping crowd. People in developed countries, and particularly
urban areas in developed countries, tend to forget how political and
contentious seemingly-neutral documents like maps can be. But of course,
this is only the start. In a world where our surroundings are tagged
with metadata by a combination of community processes and automated
spiders, we're going to see these kinds of scuffles a lot more often.
I'd like to take this opportunity to apologize to the users of NPR's
Android application, whose playlists crashed after last week's update.
That was my fault--I wrote a 2 where there should have been a 3, or
maybe a < where there should have been a <=. Either way, I'm sorry
I broke your application, and a fix is on the way.
I'd also like to apologize to baby
freezes. Lately I have been leaving them out of my breaking runs,
and if they had feelings, I bet they'd be hurt. But I can explain! See,
if you mess up a shoulder freeze (the only other footwork freeze I
know), it's an big, dramatic mistake. It looks difficult--you're
balancing upside-down on your shoulder! In theory, you're not supposed
to get credit for tough moves you don't land, but I find that people
(particularly non-dancers) can respect them. Whereas, if you mess up a
baby freeze, it just looks like you curled up in a ball and fell over.
From a risk management perspective, it's a no brainer. Sorry, baby
freezes.
While I'm at it, I'd like to apologize to Stieg Larsson, whose book
"The Girl Who Kicked The Hornets Nest" I was unable to finish because
there's only so much Swedish hospital intrigue a man can take. Also,
there are about 700 billion characters, and they all have ridiculous
Swedish names like Torsten Edklinth and Gunnar Bjork (only with an
umlaut, a punctuation mark that I find personally offensive and for
which I will not bother to look up the HTML entity, no matter what the
New Yorker says). Unfortunately, Mr. Larsson is deceased, and cannot
accept my apologies, but that's never stopped me before.
Finally, I'd like to apologize to the general public for the
Twilight series, both the books and the movies. I'm not
responsible for them in any way, of course. But someone needs to
apologize, and nobody actually involved with the production of these
glitter-drenched grotesques seems likely to do so. It might as well be
me.
Look, I'm not saying George Clooney's character from Up in the
Air is right about wanting to unload all personal relationships. I
don't have that many to spare, after all. But getting my worldly
possessions down to a backpack (and
then ditching the backpack)? Reducing my carbon footprint, my level
of mindless consumerism, and my reliance on cheap, over-designed crap
created by underpaid factory labor? Great. Let's do it.
..in theory, at least. In practice, it is tough to get rid of
stuff. Learning to live frugally is a multi-step process.
Belle started with a simple rule for our apartment: if you bring
something in, something else of equivalent size has to go out. This is a
great rule, if for no other reason than that the apartment is very, very
small and we can't stuff anything else into it without learning to stack
the pets like Tetris blocks. And it incentivizes sustainability by
making it easier to use trading/swap services than to buy new
books/games/movies.
The second step has been learning to embrace digital media. I still buy
a few CDs and paper books, but not nearly as many as I used to, and
usually only if they're something I'll want to loan out, or if they're
not available online. And we almost never buy DVDs--Netflix has that
covered. While it has taken some time to get used to not 'owning' my
music or movies, maybe that's the point--'ownership' shouldn't be the
defining characteristic of cultural engagement.
Next up is learning to be happy with last year's model. This is not
easy to do, especially given the constant deluge of electronic follow-up
that companies can leverage these days. Most recently, for example, TiVo
sent out messages offering new versions of their DVR box to subscribers
at a discount. That's tempting: we've still got the old Series 2 box,
the one that came out in 2006, and it doesn't do HD, or Netflix
streaming, or... well, lots of neat features. But do we need that? I
mean, we don't have HD cable anyway, and it doesn't really bother us.
We've got the XBox for streaming, and we'd have plenty of space on the
current TiVo if we'd stop using it to store whole seasons of Damages.
There's nothing wrong with it to justify a replacement, so we'll
stick with what we've got.
At some point, I want to start simplifying--giving away, selling, or (as
a last resort) trashing the objects that I only keep out of habit. You
know what I mean: old purchases that you don't use anymore, but you keep
just in case it comes in handy somewhere down the road.
Ruthlessness is the key--you're never going to turn that old Super NES
on again, and you know it--but I probably lack the outright willpower.
So instead I think I'll get a roll of those little green dot stickers,
the ones they use to mark prices at flea markets, and put them on
anything I haven't touched in a while. If it actually gets used, I'll
take the sticker off. Anything with a sticker still on it at the end of
the year has got to go.
Which brings us to the toughest part: our book collection. Already,
heavy boxes of books books are the moving experience we dread most. But
paper texts have another type of inertia, a weight derived more from
their intellectual and emotional impact than their actual mass.
Especially if you love books--and we do--it's hard to discard them. It's
like throwing away knowledge! And yet we'll never read many of them
again, and some of them we bought and may never read in the first place.
Everyone would be better off if they were donated to the library or
recycled. Of all the steps for reducing our material footprint, cutting
the number of books sitting around on our shelves will no doubt be the
most painful, but it may have the biggest impact.
Belle and I will probably never get our lives down to the point that
they can fit in a backpack, or even an overhead luggage compartment. In
reality, we probably don't actually want to get there--we're not monks
or masochists, after all. Yet just as the best essay can benefit from
judicious editing, I think it's appropriate to take a critical scalpel
to our lifestyles from time to time. There's a lot of pressure out there
to accumulate, to the point that "consumer" has too often become
synonymous with "citizen" or "person." That pressure has consequences,
in the labor system, in the environment, and in our financial stability.
It may be true, as Slate's Farhad Manjoo insists, that we
can't actually opt out from American materialism, but maybe we owe it to
ourselves to try.
I actually don't like programming--I like solving problems. It just
happens that every good application usually has at least one
brain-teasing problem inside. Here's a cool one: BK
trees are a method for organizing words to find close dictionary
matches, as in a spellcheck or a keyboard auto-correct. I was wondering
the other day how to do this, and now I know.
Flotilla is my
latest indie game acquisition, and it fits in well with the release of
Sins of a Solar Empire: Diplomacy. While fleet combat in
Sins relies on upgrade trees and swarm composition,
Flotilla actually models small-scale, 3D space tactics--it's all
about positioning, orientation, and group coordination. It gives me
flashbacks to the great Kirk vs. Khan space battle in Star Trek
II. Also includes a surreal, darkly-funny campaign mode played out
around a randomly-generated galaxy.
Humanitarian.info tears
into Ashraf Ghani's fetish for technocratic governance in
Afghanistan. Meanwhile, over at Afromusing, Juliana Rotich tosses
out five ideas on futurity in Africa, and asks: where are the
African futurists?
Strife.tv put up footage of the battles at Unbreakable 3 a couple
of weeks ago. It took place at my old alma mater, George Mason
University, and I had a great time there. I especially love the exhibition
between Iron Man and Meen187, who are both really musical dancers:
When the camera dips down behind someone's head and you can't see
anything for a moment, that's basically what it was like to actually be
there. As I told someone later, I'm glad I went, but I'm also glad we
have YouTube.
I committed a new version of Underground to its Google Code
repository the other day, adding support for Home app replacements
like OpenHome, as well as Android 2.1 devices with new launchers like
the Nexus One. I'll push a new version out to market as soon as I've
tested it a bit. This is long overdue--hardcoding the launcher Intent was
always a hack, but it was relatively low-priority until the Nexus broke
it.
Speaking of Android, remember how it's supposed to be fragmenting
all over the place? Turns out that even for game developers, who are
relatively "down to the metal," that's
not true at all. I look forward to retractions.
Jo Walton discusses reading
science fiction as a skillset. Interesting meta-commentary, which
should ring bells for anyone who's tried to get a friend or relative
into the genre.
Some Foursquare badges I'd like to see. Personally, instead of joining Foursquare, I'm just going to constantly post snarky commentary about my location on Twitter. Pretty much the same thing I do now, in other words.
The Berkman Center hosted a lunch to discuss piracy research from the perspective of developing nations. They'll probably have a video and audio soon, but David Weinberger has a good liveblog summary. The most interesting note was that piracy is bad for open software advocates: it lets closed, for-pay software propagate as long as the software developers turn a blind eye. To what degree are grey markets (here and elsewhere) becoming a legitimate business strategy?
Microsoft is making their own 2D data tag, in competition with QR codes and datagrid codes. You may have seen these already without knowing it: they use these on some XBox games, largely for cross-promotional and inventory purposes. I believe them when they say that these are better than QR codes, but they'll never take off for the same reason that Ogg Vorbis hasn't beat out MP3: a good-enough de-facto standard can practically live forever, and the other 2D barcode formats have all the momentum.
A little story to go with that last item: last time I ordered business cards for myself, a couple of years ago, I integrated a QR code into the graphic design of the front, and stuck one containing my v-card on the back. I thought of it as a demonstration for potential employers: who's got two thumbs (the card symbolically asks) and can navigate between the world of print and online journalism in innovative ways? This guy. But I never really thought that it'd be usable, since this was before I had a smartphone, much less anyone else I knew. I made it with a chunk of badly-translated Taiwanese freeware, and tested it with a webcam at work.
The other day after a breaking class, someone asked for my contact information, and I noticed that they had an Android phone. So I showed them how it worked, told them to grab Barcode Scanner from the market ("But I've got a different phone." "Doesn't matter, it's all Android."), and passed them a spare card. Pretty much instantly, they were able to import my card to their contact list. It was pretty cool for me, but it was even better to see the enormous grin on their face when my friend realized they had basically just pulled information out of thin air, like magic. Sometimes, technology's okay.
Celebrated five years together with Belle, an achievement for which
few words would be sufficient. Thanks, babe!
Mostly followed my
gaming resolutions from last year. Definitely played more indie
titles, skipped tedious grinding, and avoided console shooters when
possible. Did not get around to trying an MMO, which was probably for
the best.
Wrote about
a quarter of a game engine, then quit when I got to the parts that
aren't instantly gratifying (preloading, faux-threading, AI). Still
managed to learn way more than anyone should know about high-performance
Actionscript optimization.
Survived a congressional session, a corporate purchase, and a
promotion.
Survived a mild case of extensor tendonitis, and resolved to take
better care of my hands.
Rewrote my personal subset of Blosxom in PHP, increasing the speed
of this blog by an order of magnitude. Resisted the urge to convert to a
real publishing platform like Wordpress. Purged
a number of old entries, while I was at it.
Began taking breakdancing classes, which (after six months)
qualifies me as something of a b-boy-in-training, I guess. Lost about 20
pounds in the process, but failed (so far) to conquer a general
deficiency of flavor.
Reviewer's notes: The special effects may be showing their age, and
portions seemed rushed or in need of additional polish. But overall,
2009 delivered a solid annual experience, not to mention a definite
improvement over previous franchise installments. Possible
candidate for Year of the Year. Score: 9/10
In anticipation of future FCC policies, I'd like to state up front that
I was not paid or bribed in any way for these links, which seems like an
awful shame, as well as a real opportunity for anyone with some extra
bribe money lying around.
There's video from local b-boy battle-slash-arts-fair Crafty
Bastards here
(check the related section for more). I caught the first round of this
last week, and if I can find a partner, I'm entering next year.
MobileActive has an overview of different setups for SMS
activism. Lots of good links there, including an SMS server/analysis
tool that runs on Android.
John Robb theorizes that protest
is being militarized by governments that treat it as a national
security threat. This is not a good thing.
This is your planet on climate change: Theatre of Inconveniences
presents Kenya's
drought in photos as part of a series on the impact of global
warming on wildlife.
Ethan Zuckerman got eye surgery and somehow still managed to blog a
ton of incredibly insightful stuff. One of my favorite entries is The
Cloud and Useful Illusions, which discusses the ways that the
"cloud" metaphor invites us to ignore the underlying infrastructure and
politics, in both good ways and bad.
RECAP is a Firefox extension that sends public documents behind a
for-pay firewall to the Internet Archive as users browse the original
site. Evgeny
Morozov has more. Effectively, they're crowdsourcing the process of
creating a site mirror. It may have implications for getting around
censorship, but it's more interesting to me in the way that it creates
something valuable by piggybacking on the user's actions, much the same
way that ReCAPTCHA leverages site verification to improve OCR for
scanned documents.
At Arthur Magazine, Douglas
Rushkoff argues that "movements" are dead, because they now play a
role that's more social than actively political. I disagree, personally:
I would say that he's picked some stunningly poor movements, then. The
goal of the New Dissent, just as with traditional social and protest
movements, is to put feet on the ground, albeit in a new way. A movement
that doesn't put feet on the ground is a failure, no matter whether it's
Rushkoff's strawman of "a top-down, passionately executed, and highly
branded movement" or a decentralized, flash mob of demonstrators.
Ironically, the very health protest astroturf that's made Rushkoff so
dejected is a prime example of this kind of action. It's not necessarily
seeing results--but that's because it's badly run. People show up, and
then act like either loons or idiots, which convinces no-one. But that
doesn't mean the organizing principles are unsound.
In this
Google video, Nils Gilman of the Global Business Network discusses
"the global illicit economy"--basically the globalized black market in
guns, drugs, sex, and malware. Some interesting observations inside: for
example, says Gilman, attempting to control drug trade via border
control is counterproductive because it raises the profit margins for
successful traffickers.
It turns out that people
will pay for explainers, but won't pay for your vague trend piece.
Surprise! It's almost like good journalism could be profitable in this
country, if it weren't being killed by all those pesky blogs and
Internets. Nieman Journalism
Lab has a lot of great interviews like this, by the way, including
Bill Wasik on the Politico and David Simon on charging for web content.
As someone who's done his share of public speaking and video
editing, even to a teetotaler this
Johnnie Walker ad is unbelievable. It's a single, six-minute
steadicam shot of Robert Carlyle walking through Scotland, telling the
brand's history as he walks by carefully-placed props or visual aids.
Apparently it took 40 takes. I find it fascinating for two reasons:
first, because the craftsmanship of it is striking. But second, because
it breaks the commonly-accepted rule of thumb for video
journalism--"keep it short," because people won't watch long-form web
video. As I've said before, I think that's a fallacy. People will
certainly watch long-form productions, if it's interesting. What they
won't watch is a lengthy imitation of "local news"-style coverage.
Hall and Oates, Carlos Santana, U2: what do these artists have in
common, besides a soporific effect rivalling prescription drugs? Satan.
In
Praise of [Some] DDoSs? asks whether a denial-of-service attack is
morally equivalent to blackmail--or to a sit-in. It's a fascinating
question: do lawmakers write anti-cybercrime laws with mythical
uberhackers in mind, without recognizing that they may fall under the
same range of intent as meatspace offenses? And what does that mean for
digital activism?
While cruising through Saurik's Android
Market webclient the other day, I found CRIME
MAP, a mobile mashup between Google Maps and live crime data (sadly,
only for Osaka, Japan at this time). So it's like EveryBlock, but map-oriented. And
I started to think about the potential for this kind of thing--match it
up with a Locale plugin,
for example, to warn you if you're about to walk into a high-crime area.
Or if it were adapted to non-crime tasks, and people were allowed to
submit activities/tagging to it (instant flash protest?). A big deal has
been made out of the camera-aware augmented reality applications
beginning to trickle out, but I wonder if this limited-but-ubiquitous
form would be more effective--a sixth sense, instead of a direct visual
overlay.
Appfrica has
details on Mozilla's Week of Service, which matches IT volunteers
with needy nonprofits. If you need the help, there's a link to the
Idealist page for registration. I was disappointed that the volunteers
are not necessarily just Mozilla staff, because I thought it would be
hilarious if JQuery creator John Resig showed up to rebuild Belle's
nonprofit web page. But it's still a good idea.
I've had no time, at all, for playing games this week. When I have,
it's been adventure-centric: Monkey Island 2 on the smartphone,
and Zombie Cow's smart indie
comedies, Ben There, Dan That! and Time, Gentlemen,
Please! I highly recommend both of the latter, especially if you
love the old Lucasarts titles. The first is free, but there's an option
to donate extra when buying the second one. Go ahead, push the total up
to $10. You won't regret it.
Tonight is my first breakdancing class. No, you can't see video.
Two interesting commentaries from danah boyd: in the first, she
presented a paper at the Personal Democracy Forum on the politics
of class online, specifically across MySpace and Facebook. Her
fellow Berkman Center scholar Eszter Hargittai has also done a
lot of research on this, if you're interested.
Second, boyd wrote a post on generational
use of "backchannel"--how younger people use
Twitter/blogging/IRC/Wikipedia/etc. during public presentations and
lectures to augment the experience. I do wonder, though, if surprise at
this is strictly limited to academic settings. After all, every meeting
I've been in for the last five years has often been populated by
Blackberry users acting in the same fashion. One could, in fact, argue
that this is the real curse of the Blackberry: by giving managers and
knowledge workers the ability to work during otherwise unproductive
meetings via the backchannel, it eliminates part of the valid case
against those meetings in the first place.
Patrick Meier continues a fine series of posts on digital activism
by noting the
primacy of content over channel. A great series of resources,
especially centered on the many studies of nonviolence available online.
These
ten guidelines for building low bandwidth pages are meant to benefit
audiences in developing countries, and that's a great thing to keep in
mind. But it's also important for mobile development: 2G networks suffer
from exactly the same problems. And even fancy new smartphones can find
themselves operating on 2G networks once you leave the major metro areas
of the US (or worse, as I was reminded while driving through West
Virginia last month). All of this is a major reason why, despite the
temptation, I've never added Javascript or multiple CSS files to
Mile Zero. Also, because I am lazy.
Cultivating a decent network on Delicious has been yielding all
kinds of great stuff lately: Justin Pickard found Venkatesh Rao's "The
Rhetoric of the Hyperlink", looking at how the link has changed
writing and voice. The examples are fantastic.
Odd Delicious coincidence: I find new link feeds by looking at
the people who bookmark the same kinds of things I do, but unless you
use something personal (like your name) there's nothing to really
identify who a given user is in real life. Today I realized that one of
the people in my network is Aleks Krotoski of The Guardian's gaming
blog. Weird. So now I've got that going for me.
If you read enough futurists for long enough, you start to notice
something: at the extremes of the political left and right, they start
to blend together. I had always assumed that was one of those political
aphorisms used by moderates to denigrate activists, but in this case it
seems to be true--when it comes to discussion of "resilient" communities
and local production, you may start to see a lot of similarity between
(on the Left) Rob Hopkins' Transition Towns and (on the Right, I think)
John Robb's new world order of global guerrillas. Case in point: this
Make post on Backwoods Home magazine, a rural libertarian journal
for DIY types that's nonetheless reviewed as "useful, regardless of your
political persuasion, [due to] the wealth of information written by
practitioners in the arts of self-reliance"--and compared directly to
the granola-crunching Mother Earth News.
Me, I'm more with Bruce Sterling from the talk posted below: I'm a
city kid, and I believe there's a lot of good to be derived from urban
humanity. But its savings are going to come more from addressing the
systemic and cultural wastefulness of global capitalism than learning
how to grow my own radishes. In this, I'm encouraged by this
speech by the WWF's Jason Clay (transcribed loosely by Ethan
Zuckerman) on approaching sustainability from the perspective of
massive, multinational corporations and their supply chains. It's full
of fascinating facts on where the real costs of production occur (Mars
buys more fish than Wal-mart each year, just to make cat food).